Andre
Derain, The Turning Road , L'Estaque, ca. 1906, Oil on Canvas, Fauvism.
Size: 4'2.5" X
6'4.5"
Genre: Landscape
Origin: France
Now: Beck Collection at the
Museum of Fine Arts, Houston
The painting done by Andre Derain speaks
clearly of the movement it dwells in for the following very many reasons. The
identity of a Fauve painting was predominantly through the use of bright colors
which is very vivid in this particular piece. The colors are not only vibrant
and attractive but also are used in complementary pairs of colors from the
color wheel. The colors incorporated are oranges with blues and reds with
greens. This color contradiction is highlighted all throughout the painting
with the orange tree trunks and multi-colored leaves with colors from
blue-green-red. The painting the Turning road is a landscape so the forms of
the structure are differentiated with the use of color as there is no outlining
and fine strokes. Actually, Andre Derain has used broken brush strokes that are
swift and flat daubs of color as his painterly style of expressing his emotions
behind the painting. The piece when viewed from a distance with squinted eyes
would appear like a collage of colorful shapes put together in one frame. The
painting has figures in lower half of it but just like the figures in Henri
Matisse's Joy of Life, they are elongated and disproportionate. the facial
features are not present and the only way one can see or notice the difference
between the genders would be through the way their clothes take shape on the
bodies. Every figure in the painting is headed towards the big blue path which
is the river. The way the trees curve with the path emphasize the meaning
behind the title. Overall the depth in the painting doesn't differ too much
within the foreground and the background and the shadows in the painting are
created by drastic color variations unlike naturalistic form of shadow
representation.
Fauvism was not just representing a location or
portrait or still life even we generalize them as that but it is particularly
about expressing the artist's emotions without the artistic rules and
regulations in mind.
Juxtaposition was the key factor towards which
this movement is geared towards and any painting just like this by Derain did
definitely highlight the movement in different plots and emotions. Derain was
someone:
"In Derain's ides it is seldom possible to
distinguish the passion for painting from the passion for philosophical and
mystical inquiry. His art rises from the necessity in the whole man to
penetrate and recreate the mystery of life."
The above lines explain the motive behind any painting done by Derain. He does paintings that lead to a mystery just like here the turning road is leading to somewhere which has not been specified in the piece. Being a part of this movement it is said to be Fauvist as it has a philosophical meaning behind its existence. Hence the painting is entirely with the Fauve vibe through the use of vibrant complementary colors, disproportionate figures, featureless and formless beings and lack of defining lines and naturalistic representation of a scene.